How I'm tackling developmental edits for a novel under contract
A video tutorial illustrating how I get arts and crafty on my developmental edits
Hello and Happy Wednesday.
In March, I sold what will be my sixth book—and fourth novel— to editor Sally Kim, the new publisher of Little Brown in the United States and to Jocasta Hamilton, editor at John Murray in the UK for a summer 2026 publication. On April 7th, I received my developmental edits from Sally, and a week later, I got editorial input from Jocasta. My US agent weighed in on these, as did my UK agent as well. There are a few cooks in the kitchen now. So what do I do with the main meal?



For anyone who has watched my revision tutorials before, you’ll know I have a specific way of editing my manuscripts that involves a LOT of arts and crafts. In today’s video, you’ll learn how I’m tackling editorial revisions for a novel under contract with a Big Five publisher. I have until July 1st to get these edits in— this gives me something of a runway, but not a super long one, especially because I have a vacation planned in June.
The due date is logistic—something I can plan for—but the psychosomatic deliverables are far trickier, still. I’ve been working on this book for well over two years and I’ve already revised it dozens of times. So the main challenge is keeping up my interest in the novel. I have to design a strategy that will get me excited to dive back into material; protect me from phoning any of my edits in. Today, I’ll show you step by step the strategy I’ve devised to get myself not just ready but excited for developmental edits.
Ready? Here we go.